Gaspare Berti's legacy the mathematicalls' in Baroque Rome / Federica Favino.
Note:
A p. 740-773: Berti's post-mortem inventory
Abstract:
Neapolitan still life painting, even though Italy's most prolific school of the genre, has attracted little theoretical analysis. Where scholars have considered the genre almost exclusively in terms of stylistic developments and questions of attribution, this paper, alternatively, draws inspiration from insights formulated largely outside the field of art history: Umberto Eco's characterization of still life paintings as visual lists and Michele Rak's characterization of seventeenth-century literature in the Neapolitan dialect as literary still life. Building on these insights, this paper aims to explore the ways in which Neapolitan still life painting was anchored in local literary traditions and how, moreover, these literary traditions help us to understand the way in which these paintings resonate with the specific social and political situation that characterized Spanish Naples
Nuncius Vol. 32 (2017), p. 709-773