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| POSSEDUTO (se manca la collocazione vai al documento contenente) | |
| Autore principale: | Barbieri, Patrizio.
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| Titolo: | Tuning and temperament : practice vs science, 1450-2020 / Patrizio Barbieri. |
| Pubblicazione: | Roma : Gangemi, [2023] |
| Descrizione fisica: | 591 p. : ill., ritr. ; 25 cm |
| Contiene: | Indice: Preface. A. An unknown 15th-century French manuscript on organ building and tuning B. Equal temperament on keyboard instruments: proposals and rebuttals (1530-1680) C. Tonality expansion in keyboard compositions at the time of Frescobaldi, with late 17th-century developments toward circulating temperaments D. Intonation conflicts: harpsichord, lute and strings ofthe Italian 17th-century concerto E. Instrument tuning in Tuscany: 150 years of proposals and disputes, from V. Galilei to Cristofori (c 1580-1730) F. Harps versus pianos: Parisian querelles on tuning (1770-1830) G. Instrument tuning and pitch at the time of Mozart H. Historical pianoforte temperaments (1700-1900) I. The persistence of unequal temperaments in 19th-century Italy J. Juan Caramuel Lobkowitz on musical logarithms and equal temperament (c 1647-1654) K. The new equal-tempered keyboard instruments, pedal Geigenwerks and the 32-foot organistrum invented and built by Juan Caramuel Lobkowitz for Ferdinand III of Austria (c 1647-1654) L. The Enlightenment myth of the scientifically optimal meantone tuning (1701-1864) M. Still on the best tempered musical system: querelles involving Esteve, Romieu and other French academics (c 1740-17601) N. Suremain de Missery's new theory oftemperament following early investigations into auditory frequency discrimination (1810-1816) O. The beat-frequency calculation oftempered consonances: a long-standing physical-mathematical enigma (1630-1860) P. The linear approximations of equal temperament: P.F. Valentini (c 1640) vs G.B. De Lorenzi (1870), with a possible application to Nicola Vicentino's Archicembalo Q. Mesolabe and sector: musical applications of two mathematical instruments (1558-1790) R. The inharmonicity of musical string instruments (1543-2020) S. On three 18th-century pitch measurements: Sauveur, Stancari, and Sarti T. Giuseppe Sarti on acoustics, tuning, and harmonic theory (1729-1802) U. Paolo A. De Luca's sonometer and the struggle for equal temperament at Naples (c1820-1880). Works cited. Author name index |
| ISBN: | 9788849246018 |
| Discipline: | Musica--Studi. |
| Sudd. cronologiche: | Rinascimento. Secoli XVII-XX. |
| Collocazione: | LS 22321 |
| Nota di esemplare: | Mostra nota di esemplare |
| 000001089665 |
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